Showing posts with label A Design Strategy. Show all posts
Showing posts with label A Design Strategy. Show all posts

Thursday, 15 May 2014

OUGD502 - UNIT Studio Visit Reply

Today Si got back to Charlie and I about our request to visit the studio.

Unfortunately due to other students who clearly weren't serious about visiting the studio, UNIT no longer accepts visits.
We feel that this is a real shame because we were both serious about visiting and speaking to him about design, the industry and how we could get ourselves out there and into the places that we want to go. The fact that students didn't turn up/were late to visit is pretty ridiculous to us, as we both feel visiting a studio is something that should be kept to and is an opportunity. The fact that this has stopped our chances of visiting is disappointing.

However, I decided that this shouldn't stop us speaking to him, so discussed with Charlie the idea of sending a few questions in an email that he could answer, and hopefully build up a bit of a relationship and get some good experience down from him.

We both came up with a few questions and sent them to him and now we're just waiting to see if he replies.

Email sent:
Hopefully he will get back to us, even if it's just to answer one of the questions. We also think that sending this will show that we were serious about seeing/speaking to him will make him realise this, so hopefully he will reply.

OUGD502 - A Design Strategy: Behance Update

This is where my Behance profile is today after two months.
 From here, I still have a few projects to upload from this year, so hopefully things will improve. However I am quite happy with how it's going so far. I didn't expect so much so it has been quite a nice surprise to have the amount of project views I have had.

Wednesday, 14 May 2014

OUGD502 - UNIT Studio Visit

As Robot Food are currently too busy to have us visit, we decided that we would look around for a couple of other places in Leeds that we would like to visit.

We decided that UNIT was one that both of us would like to visit, so emailed them with the request.


We are waiting to hear back from them, but hopefully we can get a visit with them.

Thursday, 8 May 2014

OUGD502 - A Design Strategy: Individual Year Review

After doing the collaborative year review with Charlie, I thought it would be good to individually review how my year has gone and what I have learnt and done this year. This will also help me in preparing for my individual presentation.

I first reviewed what we did in the first PPP sessions where we chose 10 things that we wanted to improve on/do this year.

The 10 things I want to do/improve on this year
  • Continue to develop my skills and use of digital software; Photoshop, Illustrator & Indesign
  • Learn how to create websites and experiment in this media
  • Create work in a variety of different media, such as screen printing, drawing & use of the laser cutter.
  • Begin to incorporate different processes on the same piece of work instead of sticking to one media throughout. Perhaps combing drawing and digital etc.
  • Experiment with scale, particularly large scale.
  • Spend more time on research in briefs to get a fuller understanding in my outcome and the reasons for it. Expand on my methods of collecting research.
  • Start to use hand-rendered design work instead of relying solely on digital all the time
  • Continue to develop my interest in editorial work and book binding.
  • Gain a fuller understanding into the history of graphic design, particularly in typeface design and history.
  • Work of essay writing.
Reading over these ten, I would say that I have accomplished quite a few of them, and there are others that I wanted to accomplish that I haven't yet.

I do definitely think I have developed my skills in digital software this year as this has always been a large part of my responses to briefs. At the beginning of the year I was quite reluctant to creating illustrations on Illustrator and experimenting with this, however I do think that I have started to work on this through the year and am much more confident in my ability to use it Illustrator, and the other two softwares. On top of this I have started developing my skills in Dreamweaver, which is always a good skill to have.

Something which I haven't done is start to use hand-rendered design work in my work. While I have experimented with hand-rendered print processes etc, I haven't really included them into my final pieces of work for briefs. However I don't think this is necessarily a bad thing. I thick that it's just down to the direction I am going as a designer. I'm someone who's much more into creating a large amount of outcomes instead of individual ones which are hand-rendered. It's just the sort of designer I am, so I'm not too disheartened by not accomplishing this goal.

I have definitely spent much more time this year on research, and I think it does show on my blog and in my practice. I used to come up with my ideas and start the work before researching into other designers or the context of everything, which was the wrong way of doing things. Now I am much more inclined to see what's out there, been done before, and possible before starting my design work.

I don't know if I have particularly got a fuller understanding in the history of graphic design, but I have definitely got a greater understanding of the subject as a whole, and feel that I am more confident in my ability to speak about it and know what I'm talking about and why I'm doing something. With this, I definitely think my essay writing skills have improved as well. I do think that I went the right way about my essay this year and didn't leave it to the last minute like I did last year, and because of this, I feel that I have a much better understanding of the subject on a while and went more in depth and found it easier to get sources and information on the subject as I have improved my researching skills overall.

I then thought about everything practically that I had learnt this year. The first is obviously Dreamweaver. The sessions we did definitely helped, and I also did research myself into some of the simple coding I could do to make my website really do what I wanted it to do, and how to make it change for each page. I actually really enjoyed the Design For Web brief where this was used. I think that my designing skills for web definitely need to improve, but coding is something I found relatively easy to get my head around and do quickly.

When it comes to the practical skills I have learnt this year, I have done a lot of work in learning new hand rendered skills:

These are all definitely useful skills for me to have and to have experimented in. Doing them has given me a very clear idea into what I want to use and take forward. Doing these processes definitely gave me an appreciation for the considerations that need to be make when it comes to printing, from stock to colour, scale and printing method.

One skill I have learnt this year and have been happy to work on is book binding. While I knew how to Japanese bind confidently, I didn't really know any other kind of binding methods. I knew of them, but not how to go about doing them. With this, I did the induction to do the basic ones, and then have researched into other binding techniques which I would like to be able to use in the future. The most recent binding technique I have learnt is perfect binding. This is something I learnt for my research booklet for Studio Brief 1 of 505. I found that because I already have good experience with book binding, it was easy to learn a new bind and be able to set it up well enough to do well on my first attempt at this. I am now at a point where I have done this bind a good eight or none times and I really do feel confident in my ability to do this, so much to the point that I taught a couple of other people how to do this successfully without the use of a huge amount of tools. I am now moving forward with this and teaching myself to case bind books with this technique as the techniques to do this are ones that I already know. It's just about putting them together well, which I hope to do and use in the future.

A binding technique that I would like to learn is coptic binding. This is something that I always find to be visually fantastic and something that I really want to know how to do. While I don't know if I will use it in my professional practice, having the skills to do it is a gain to me as a designer and means that I could potentially use it whenever I wanted.

Looking back to the practical work I have done over the year, I definitely feel there is a progression and it very clearly shows from the earlier work on the year to the work that I am doing now. While I am currently in the middle of projects and not yet with all my complete pieces, I do think that my work has got a much more professional appearance and feel to it than it did at the beginning of the year.

In terms of problems/failures to the year, there have been a couple of disappointing projects to me now that I look back at them. While at the time I was sort of happy with them, I definitely now think I could do them so much better now as I have a larger understanding in the subject. I think that the two projects that show this the most are my first two of the year, Design For Print & Design For Web. While I am happy with the final outcome of my Web brief, I spent a long time working on a design which I changed pretty much last minute. This was to do with the fact I was having trouble with the designs, and then Numiko came and did a talk, and I redesigned it while listening to them speak the way they do about web design. I just feel it is a shame that it took me so long to change it and left me with not much time to develop the idea. However I do think that it was a learning curve for me as it made me realise that sometimes it's good to take a step back and look over everything to decide what I really need to do to answer a brief and that my first design development might not be the right one for the brief.

My Design For Print brief was a real eyeopener into life as a second year and how big the difference was from third year. I was completely out of my depth in this brief and probably should have asked for a bit more guidance. When I did ask, I was thrown a million questions instead of answers as such, so that did put me off asking for guidance, but now I see that it was all to make me think and create my response independently instead of following a brief completely.

The main success of this year, I feel has been the Responsive module 503. I think that this module has been the best in terms of how I went about briefs and thinking about responses to those briefs. This is mainly because this module was all about live or competition briefs instead of university set briefs. This means I was working for a client, for their needs and wants instead of for university work. I felt that there were as many failures as successes in this module, and it definitely helped me become the designer I am right now because of it. It made me grow very quickly and see what clients are like and how some of them are completely adamant on their visual ideas instead of listening to designers. I thoroughly enjoyed doing my Domino's Pizza YCN brief. Initially when I picked the brief I was unsure of how I wanted to go about it, but once I got a concept I was happy with, I really felt I created a good response around it, and I feel I got a lot out of the brief. While I don't think I necessarily gave a strong concept, I think my response to the concept I created was strong, and I spent a lot of time making the work look like it would really belong in Domino's, so this is something I am proud of. While I would love to get some kind of recognition for this from YCN, I don't think I will, but I think the brief was completely worth doing.

I think the PPP module has helped me immensely in the idea of setting up a business. I have always had the ambition to set up my own design company eventually, but never really knew how to go about it until this year. The collaboration brief to this module is definitely something that I will count as one of the most important of this year. Learning all the information and knowing what needs to be considered and carried out to start up a business is something that I am glad to know at this point. I think learning it next year might have been a bit too late as now I have the chance to build on everything within the next year so I have a good base and have a good idea into what I want to do and how I can go about it realistically. I think that working in the group this way was good as well. I have previously not liked working in a large group, but this went well and I think we worked very well as a group in coming up with everything we did and making it work to the point where we all agreed it'd not be a half bad idea to go through with it in the future.

At this point in the year, I am actually a bit disappointed in myself for not getting in contact with a lot of studios or designers. I know that this is generally down to my lack of confidence in approaching new people, and especially people in the industry. First impressions are so important these days and I do worry about them a lot so this is definitely what has help me back, however now I have a list of studios that I would like to visit and talk to, I would hope that over the summer I will be going to visit these and send out promotional packs to these places. With this in mind, I would definitely like to start making an active decision in developing my personal branding over the summer to something that really does represent me as a designer, starting with this self branding brief for this module. While I haven't got much time to complete this for the deadline, I want to use this as a starting point to develop myself an identity and create a strong image for myself as a designer in printed ephemera and on the web. While I have a Behance, I am considering getting a Behance ProSite as this will give me much more free reign of how I want everything to be displayed. Or I could even try set up a Cargo Collective account. I don't know what that entails at the minute, but it is something I will explore and see what happens.

I do think I have made a considerable amount of progress throughout this year and am already looking back at projects I only completed a few months ago with an entirely different perspective on them and thinking about how I could improve/redo these to something that is much more professional. Throughout the third year I will be working to make myself a much more professional designer and continue to work at the areas of design that I enjoy, which at this point in time is Branding, Editorial and Promotion. While these all obviously need constant work, these are the areas I really enjoy working in and I would like to continue to move forward in these areas.

OUGD502 - A Design Strategy: Collaborative Year Review

Today while reviewing my years worth of work, I discussed it with Charlie as she was doing the same, in preparation for our individual presentations. We discussed how we had progressed from the beginning of the year and how we were as designers today.

What we thought would be quite a good task is to redo the second task we were set in writing out the negatives and positives of each others design practice. It would give us a view of how we have progressed in terms of how someone else sees it rather than ourselves, and we had done each others lists at the beginning of the year so it would be good to see how each other thought we had progressed.

Charlie's list for me at the beginning of the year:

Charlie's list for me now:

Comparing the two of them, there is quite a difference in both of the sections. There are a couple which are still in the columns, but overall there is a difference in both my positives and negatives. While I disagree with one or two, I do think that overall these are quite in line with how I see myself as a designer and the positives and negatives I see in my own practice.

I think it's great that my work ethic is obvious to someone else other than myself. I have always felt that I work really hard because of my love for the subject, but for someone else to see it is great. I have also worked really hard on my presentation this year, so it's good to see that being recognised as a positive to my work.

In terms of the negatives, I do agree with them, apart from the design sheets one. I am very hard on my work and always think about how I could have improved it or changed something to make the brief work better, but I don't necessarily see that as a negative because it's just me trying to better myself as a designer. I agree that I don't variate my methods of production, but that's because I enjoy designing for digital printing and the process of this or web, much more than a hand rendered printing media like screen printing. I see this as more of a hobby than a serious printing method for my professional work. I think that this is down to the fact I'm a complete perfectionist and it won't do if it's slightly wrong, which is something that I find common in hand rendered printing.

Overall I think that this process has been good to do and has given me an outside view to how I am as a designer to others. It has also given me an insight into the areas that I need to work on and experiment a bit more with, as well as what I should keep at and continue to work on.

Tuesday, 6 May 2014

OUGD502 - A Design Strategy: Here

Link

Here Design is a small team of multi-disciplinary designers based in East London. The studio was set up in December 2005, by Kate Marlow, Caz Hildebrand and Mark Paton.
Since then we have been crafting quietly powerful design for a client list of individuals, brands, charities and institutions that we believe in wholeheartedly.
Our collective experience includes design and strategic thinking for branding, packaging, print, publishing, point-of-sale, products and websites. This scope allows us to create effective and original solutions to work across any media.


I came across Here while trying to find some more studios across the country in which I really liked the look of and would like to potentially get a placement at or visit during the next yet.

I really like Here as they do a lot of different stuff, but their style of work is very obvious and very consistent, but appropriate for each brief. Their use of type and colour is something that interested me, and a couple of their designs are ones that I have seen, and actually own (the Nigella books), so it was great to see something that is commercial and from quite a small design agency.

None of their work is available to save/redistribute, and annoying each individual brief page doesn't have its own website address, so it is hard to show the work that I particularly like. I will write a quick summary of them.

The Geometry of Pasta
Here design seem to do a lot of things for cooking, and have quite a few cook books under their name, and this is the one which I really liked because it isn't a typical cook book in the imagery that is used. Instead of full colour photographs, simple vector images have been used to represent the pasta.

Solid ID
Solid ID is the new venture from the people behind bespoke flooring company Solid Floor. Here designed their branding, print and packaging and their website. It is all very simple and uses just two colours + stock.

OUGD502 - A Design Strategy: Studio Visit - Robot Food

After discussing studio visits with a few people in the year and discussing various studios, Grace, Charlie and myself decided that we wanted to visit the design studio Robot Food here in Leeds. This is a design studio which I found, and that Grace and Charlie both liked when I showed the website to them.

We emailed their Creative Director, Simon to request a visit.

Simon's response:

Our reply:
A note from Simon:
As of yet, we are currently waiting to hear back from Simon.

Saturday, 8 March 2014

OUGD502 - A Design Strategy: Behance

Today I decided to set up my own Behance profile.

This is something that I have been wanting to do for a while, but felt that I didn't really have much of a portfolio to put up to the world. However at this point I do feel that there are some projects that I have completed and am happy with enough to put out there.

As well as setting up the Behance profile, as I am a student, I am able to link the account to one of Behance's sites 'Student Show' which is a dedicated server to students. This means that my work is now being shown in two different websites and I only have to maintain one profile as it is all linked together, which makes everything much easier for me and means I don't have to upload everything twice.

Behance profile:

Student Show profile:

I found it much easier than I thought to set up this profile and put my work up. I will now try update it as much as possible in a hope of getting a bit of recognition and putting myself out there in the design community.

Something I need to do is work on my self promotion and branding so I can create a strong identity through the display of my projects and how I put myself across to the people on these websites. Obviously this is a pretty hard task and something I will need to continuously develop.

Monday, 24 February 2014

OUGD502 - A Design Strategy: Robot Food

Website Link
"Robot Food was started in a dining room in Harrogate, in January 2009, by Simon & Mike who met and became friends while studying art & design at college. 
The vision was to grow a brand, known for passion, innovation, service, style and results.
Now based in the impressive Grade II Tower Works development, in Leeds city centre, we have an expanding creative team and work with clients all over the world. 
We know how to create demand and that’s why we’re going strong today."

Robot Food was a design company I came across when looking for designers in Leeds which I would like to get some influence from work, have a visit and potentially get a placement.

I really like the aesthetic values that is common in all of their work. Everything they do seems very clean, friendly, but all are very clearly for different audiences. Their use of colour, type and illustration was what initially drew me in.

You can really see how creative and established they are through their rebrands of already existing companies. It shows how they have taken something and remoulded it to bring it completely up to date and much more appealing.

I will definitely be interested in visiting the studio and talking to the designers. While their main focus seems to be on packaging, they do a lot of other design work on top of this and around this, from branding to creating interior spaces.

The work below is some that I particularly liked, and show off a lot of their design areas.

Kings Biltong
Set up by three ex-England rugby playing brothers, Kings Biltong make dried, sliced beef in delicious flavours. Lean and packed with protein, Biltong is great for athletes. Where it lagged behind was in visual appeal. We strengthened the flavour cues, kicked the branding into touch, and put the pack communication through its paces for an altogether beefier brand expression.


Sous Chef
Sous Chef are the go-to people for the serious home chef. An ecommerce company, they sell specialist ingredients, gadgets and other kitchen items usually sold in bulk to caterers. We gave them a sharp, clean, functional design with pro appeal for the amateur chef. As well as branding and packaging, we also designed the website layout and corporate stationery.

The York Roast Co.
This was a meaty project. As well as the identity, packaging, uniforms and POS, we redesigned the shop interior and developed the menus (with a chef friend) – introducing the ‘Beastly’ specials and other delights such as filled Yorkshire puds. With more than pork on the menu, their old name, York Hogroast, had to go. So we gave them a new name and strapline as well.

Monday, 10 February 2014

OUGD502 - A Design Strategy: Mash Creative

Website Link

Mash Creative is a single Graphic Designer, Mark Bloom, based in London, UK. He specialises in brand & identity, and works with clients of a variety of sizes. He is the author of two design books.

I found the work by Mash Creative on Behance.

I really like the work as there is a very consistent style throughout all the designs, but they are all very clearly intended for different audiences and different client. There is a clear attention to colour through all the work, which is something I like to see in design.

Something I have found interesting about the work is that all of them use sans serif typefaces as apposed to serif typefaces. This is something that I commonly do myself so I did like to see that there are other designers working in the industry that are clearly getting projects where this is alright to do and keep doing. I also like the fact that there is a variety of work, each with a clear individual response where  the concept and context has been thought about.

The work below is some of the work that I particularly like in Mash Creative's portfolio.

15 Years/115 Projects
"15/115 (15 Years,115 Projects) is my second book and features 115 projects spanning a 15 year career to date, divided into three chapters: 15 x Posters, 80 x Logos and 25 x Case studies. The book also features a foreword from renowned designer, blogger and author David Airey."

TVC Group - Branding
"The TVC stationery set boasts 5 colours including 3 neon inks, the business cards are printed on duplexed card and include a debossed logo. Custom compliment slips and address labels allow the user to highlight a compliment or message with a highlighter pen."

Utopia DJ School
"I created the brand identity for summer DJ school ‘Utopia’ offering professional courses in and around Europe. The identity was used on a large number of deliverables including T-shirts, Lanyards, Banners, iPhone Wallpapers and more."

Gazing At Design Museum
"Design Museum approached Mash Creative to design a flyer to promote their new cafĂ© ‘Grazing’. Utilising the central line theme created by Spin, the flyer allows the recipient to cut along the dotted line and present a voucher to receive a free hot drink voucher. The front of the flyer uses a simple line illustration to depict food on the left and hot drinks on the right. The reverse side features a voucher which when cut still maintains the hot drink image on the front. Digitally printed in white ink on 350gsm GFSmith Colorplan Bright Red, Purple, turquoise and Factory Yellow."

Curious Space
"An adaptive identity, stationery set and responsive website for the London based scenographers. Curious Space create unique and inspiring spaces for museums, galleries and more. The identity splits apart to create a physical space that intrigues whilst the type can sit either horizontally or vertically in numerous layouts within the dotted grid. This playful logo allows for a truly flexible yet structured brand identity which can be easily applied to all Curious Space communications. Business cards printed in fluorescent and grey ink with blind debossed grid pattern to the logo on the reverse side. The letterhead features a perforation allowing the user to tear off the top strip to be used as a compliment slip or address label. Identity design in collaboration with Andy Cooke. Website design and build in collaboration with Socio Design & Mayfield Digital."

Monday, 3 February 2014

OUGD502 - A Design Strategy: Cast Iron Design

Website Link

The Cast Iron Design Company is co-owned by founders Richard Roche and Jonathan Black. They met in design school and soon realized they had a natural chemistry along with complementary skillsets. Not long after graduating they put their heads together and started a design company.
"We're committed to Environmental Responsibility" 
"We Believe Green Design" 
"Doesn't need to be stuffy & serious or equate to inflated production costs"
Cast Iron Design is a company that I came across quite randomly. While their work isn't the kind that I create or usually would use as influence, I do think that there are a few pieces of work which really are interesting to me.

Something that I hadn't come across up to this point was a design company that was really interesting in Green Design and having an environmental responsibility, and clearly showing it in their work. A lot of their work is also produced by hand, and done to a very high quality and standard.

Below is some of their work which I particularly like, and show the design skills of the company.

Bookmarks - self initiated
We letterpressed these bookmarks using paper scraps from poster trimmings and makeready. They're printed using leftover ink and are included in orders from our general store.

Letterpress Print
An art print celebrating all things letterpress, from composing sticks to ink cans.
A limited edition, two-color (light blue, gray), 12″×16″ letterpress print on 160lb, 100% PCW recycled double-thick cover stock.

Jack Sinclair Letterpress Studio
To celebrate the opening of the lab, the University held a grand opening celebration. We designed an invitation in addition to various print materials for the event. Needless to say, everything was letterpressed.
We designed a unique format for the invitation to minimize paper use and designed bookmarks that made use of paper waste. We also spec'd responsibly made paper whenever possible.

Seniortech
This project included developing a identity and a website with job board functionality. The client wanted to keep it clean and simple in order to be accessible for the target audience, senior citizens.

Monday, 6 January 2014

OUGD502 - A Design Strategy: Bravo Company

Website Link

Bravo Company is a creative led, independent design studio based in Singapore. They work with a variety of individuals and organisations to deliver considered and engaging design. They specialise in identity & brand creation, print & web communications and art direction.

I came across the work of Bravo Company last year while creating a response to a brief. I found their work was fun, very individual and had a quirky style through some of the design responses, while others were formal and very sophisticated. This showed me that this design company has a wide range of skills and can apply them in a number of ways to create impressive and fitting responses to briefs.

Below are some of the work from their portfolio that I particularly liked, but also show the range of their skills and variety of briefs they respond to.

Mexout
"Mexout is a fresh-mex eatery in Singapore. We imagine Mexout to be a young eccentric Mexican food expert, or "Mex'pert" as we've coined it, who is living in his parents' basement. The shop's interior is therefore styled as such. As with most eccentric experts, he keeps a wall-of-clues with a Mexican map and pins of locations to track down the freshest ingredients and their suppliers.
Being anti-establishment, Mexout doesn't adopt the proper brand logo. Every time you see the name it appears differently. We've came up with about 20 hand-drawn logos for them to use in rotation. For the rest of their collaterals, everything is handwritten or hand-drawn. No computer was used for the creation of the graphics."



Orita Sinclair Prospectus - Budget Version
"Budget version for the Orita Sinclair design school prospectus, printed on newsprint with black and yellow overprint. The brief to the design team was to create something that we ourselves would want to keep and collect. Illustrations are interpretations of what the copy is about."

 Orita Sinclair Prospectus - Full colour version
"Prospectus for Orita Sinclair, a boutique design school in Singapore. We set out to design a really eye-catching, colourful pack that will appeal to kids fresh out of high school. The brief to the design team was to create something that we ourselves would want to keep and collect. Card illustration is an interpretation of what the flip side is about. To keep production cost low, we print 1 colour (black) on multi-coloured stocks."

 Sopra
"We were commissioned to rebrand Sopra, an Italian restaurant, for their Singapore outlet. The new Sopra Cucina & Bar is an ode to the glamorous days of post-war Italy, when Hollywood and the films of Federico Fellini and Sophia Loren first captured the imaginations of an enamored public."